Praise for The Pentridge Trilogy

I'll be adding to this from time to time, as new accolades come in.

On the books collectively:

You have made a real contribution to justice and empathy and Australian poetry with these 3 books. On Monday my writers' group discussed your books and writing on prison in general and current prison reform. The consensus is that you are a brave woman and your trilogy is an important addition to literature on the topic.

– KS, poet, film maker and historian.

I just finished both the memoir and the chapbook! Reading Breaking into Pentridge Prison in book-form was a whole other experience and even though I knew the broad story, I found myself in tears at the end. 

Letters to a Dead Man was even more moving, especially when I saw the date on some of the poems. Time stays still and we just pretend it moves by writing different poems. 

– RR, poet and podcaster.

Oh my lord! Letters to a Dead Man! Masterful poetry, marvellous mistress of the way you put the words together. 

Could not put Breaking Into Pentridge Prison down either – did not turn out the light until 11.30pm!!! One thing I enjoyed was your clear, straightforward and unencumbered prose. The short chapters carried the narrative along without drag or mystery. 10/10.

– JF, poet and teacher.

I read the poems first and then finished the biography last night and just wanted to say that I was really moved. The poetry itself was powerful and there’s just so much depth, emotion and wisdom throughout them and your story. It really struck me how you’d had an amazing, unique experience that few people would ever encounter and I loved the way that you told your story with such unflinching honesty and compassion. 

I felt I’d experienced something important and interesting, and also learned a lot: a reader can’t ask for more!  And as well as the sadness and wisdom, your sense of humour came through too – lots of fun and interesting observations about people and life would pop up in your biography. Overall they were a really good read. 

– MM, accountant.

Your Pentridge books are so good and so important. I have enjoyed reading your wise, observant and poignant words.

– ML, poet, publisher, convenor.

I found the memoir, and the new poems, so very moving. I hope it's widely read, and the prisoners' reprinted poetry was also very worthwhile revisiting.

It's a brave and honest account of an antiquated system that harmed people. And how just a small amount of humanity can change everything for the powerless. Thank you for writing it.

– LH, poet and musician.

On Breaking into Pentridge Prison:

Your Breaking into Pentridge Prison (brilliant title) is a fascinating and moving memoir. 

– CB, author.

I read it in a day. Although it’s profound, it’s an easy read. 

– ST, poet and educator.

You capture the soul of prisoners and life ‘inside.’ 

– MS, poet and psychologist.

It’s an important piece of social history, a story that needed to be told, and a story only Rosemary could tell. 

– HS, author.

I found it very readable.

– WT, aerodynamicist.

Up to page 39 of your book which I started last night and absolutely loving it. It's such an engaging and interesting read. Makes me think of all the people I know, and those I don't, who have done time and wonder things about them that I haven't thought about before. I'm getting to know you better too. Well done girl.

– MM, disability pensioner.

I bought another copy to give to a friend. She told me she found it 'honest , insightful and nurturing.' So I read it again myself. It really is brilliant!

– RW, poet / writer.

On Blood from Stone 

One of my favourite works of poetry. 

– DN, coder.

The collection is an eye-opener. The quality of the writing stands the test of time.

– KS, poet, film maker and historian.

I agree with [a reviewer's] remark that it should be used in schools to educate young people about crime and its consequences. I also think that the poems in their own right are funny and "coruscating." For enjoyment as well as education.

– DG, retired.

On Letters to a Dead Man

I would place this book beside The Prophet on my bookshelf.

You've touched an emotional realm which people don't often touch, and it opens the heart. I am transported into my private place. 

Glad you made the effort to publish and launch and make the world a little richer.  I'm most impressed with your skill. 

– KJ, author and artist.

Although love poetry can be cloying [this book] contained love poems that are interesting, well written and enriched with literary devices. There is not sentimentality but authentic emotions that touch the reader. 

– BC, poet and psychologist.

A new review of 'The Pentridge Trilogy'

 

By Rajani Radhakrishnan, reposted with permission from her Thought Purge blog

Rosemary Nissen-Wade has published a trilogy that absolutely must find a place in your reading list for 2024. Rosemary is an excellent poet as many of you on the poetry trail know, she is also a dear friend and source of inspiration. Here’s a 13-point review of two very special books from that set.

1. Breaking into Pentridge Prison tells of her experience, in the eighties, conducting workshops for prisoners in the Northern and Maximum-Security units of Melbourne’s Pentridge prison. “If you’re not mad when you get there, you will be by the time you leave” – public view on Pentridge.

2. Describing poetry discussions in that oppressive environment, monitored by armed guards, with people incarcerated for serious crimes, Rosemary reinforces our faith in art as a medium, if not of healing, of reprieve, of light, albeit a tiny, ephemeral sliver of sunshine. “Looking back, I think I was perfect for those prison workshops. Anyway, after the first, I was hooked.”

3. The text is dotted with poetry written by the prisoners and fellow-poets and her own verses, telling their own stories in words that are at once, strange and familiar. Some of those poems found their way into an anthology published from the prison, “Blood from Stone” (the third book in the trilogy, now in a new edition). “…what price a poet / in the all-seeing / in-the-round panopticon / what price the poet’s visitor / with only that way out…” (Untitled poem – Linda Stevenson). “…There is no wish for the pool of youth, immortality / rather time’s end and be / old, dead, anything! / but be free” (Nothing – Dallas Duncan)

4. Rosemary talks of her friendship with some of those who attended the workshops, highlighting the person inside the prisoner, the poet inside the inmate. From “I’ve got these poems here. They’re not very good.” to years of affection, correspondence and meetings even after release.

5. And then she talks of love. An impossible, forbidden, enduring love. The honesty is striking as she bares details of heart and crime, leaving the reader in no doubt about the complex twists of human relationships.

6. More tellingly, she talks of how the pressure of an intimidating environment and all that the world of crime and punishment contains behind its stone walls, affects the people who dare to enter it. What happens when the ‘outside’ is forced to intersect with the ‘inside’, poetry and love are forced to interact with threats and mind-games and secrets. And how does it affect families and children? “…I taste my ageing. / All my years / you’ll go on being dead.”

7. “Apprentice on the tightrope / I juggle half-a-dozen balancing acts” – Rosemary writes of the growing unease “If they distract me, I’ll trip /A fall would be real: / There is no net.”

8. Should we look at crime as a binary? How should we think of redemption? What is the axis of social acceptance? The story of John — prisoner, poet, friend, criminal, lover — is instructive in its violent sadness. Then, should we look at love as a binary? And people? “What sad contradictory world / shuts loving men in jail — / and leaves the many others / free to walk?”

9. In the end, is this an overwhelming story about life or love or poetry? The reader wonders if there is a difference. “…I stare new darkness/ down its depth / forget too slowly / other faces trapped / in blood and stone…”

10. Letters to a Dead Man is a companion book to Breaking into Pentridge Prison. As the opening note says, the poems in it can stand alone, but become more poignant when you know the back story.

11. There are poems from last year and some that go back to 1981, with haunting lines and verses like this one: “Always / is too long a word for love” or this “A poem / on a page you’ll never see. / Flights / impossible / even for sparrows.”

12. A memoir always struggles with what not to say, how much to say and yet there are things that can and will never be shared. But these books have enough, more than enough, to do the one thing good books do, leave the reader wiser and yet with more introspective questions than before they started.

13. “As public as a headline / Private as a night in a cell” – Rosemary has put together a one-of-a-kind memoir set that simply needs to be read. Get it from  https://pentridge-prison-inside-out.square.site/ 

(Photo by Rajani Radhakrishnan)

Note from Rosemary: 

When I first started writing my Pentridge memoir, I posted episodes to a blog as I wrote them, and shared them with members of the online community, Poets and Storytellers United. Many were very interested and left encouraging comments – no-one more so than Rajani, whose own poetry I've admired for years, and whose own books I've been delighted to acquire. She read every episode I posted, made insightful comments, and followed them up in email discussions full of both poetic and emotional wisdom, which deepened and consolidated our friendship. As I say in the Acknowledgments in the memoir, her 'unfailing interest and deeply understanding feedback on both the writing and the content were crucial to my continuing.'

And now, having received copies of the books of the trilogy, she has written this review for her blog and given me permission to quote it. Which I have gladly done in full.

Pentridge Trilogy Update:

Delays and glitches to receiving books from printer, and to getting a new launch venue after one that was arranged proved unsuitable after all. I did a reading with my Everyday Witch Tarot to see how I might get things resolved smoothly.

1. The present situation. Looks like someone’s sitting on my books! (OK, will chase 'em up again.)

2. The path to my goal. I can’t hurry things, have to wait and trust. (Confirmed. New venue helpful, anticipates no probs, but room hire person away till Mon.)

3. The challenge. I must overcome my sorrow. (Ah, so many causes for sorow recently, not all to do with this. Perhaps I am feeling too negative in general.)

4. What will help. I must remember all the many spiritual lessons I’ve learned. (Ah yes, I do have various techniques.)

5. The outcome. Celebrating with friends. It will all happen happily!

The Printer’s Proofs Have Arrived!

My excitement levels are almost unbearable! 

But then I put that aside, to get on with the job of checking the manuscripts for the final time. 

Already I discover why hard copy proofs are so necessary – there’s a layout problem with one volume. I hadn’t realised until I saw it ‘in the flesh,’ so to speak, instead of scrolling down onscreen.

A lesson in trust

Initially I forgot to ask the printer to supply proofs before going ahead! It’s so long since I was involved in the production of a physical book, not just ebooks. That hiccup made me wonder if something had suddenly gone wrong with the serendipity with which this project has so far been blessed. (What? Did the Universe not support it after all?)

Oh, me of little faith! The printer had only got as far as doing the covers when I realised and called a halt – and the covers are lovely. Whew!

Then, the resulting delay actually worked to my advantage. 

I’d invited my stepdaughter to visit, to help me (finally!) go through her late father’s papers. I’d been putting that off too long. She came to stay for a few days this week, we got the job done, and in the course of it we found among his papers some of mine – including a great photo of me at the time of the Pentridge poetry workshops which my memoir is all about. I’d forgotten I had it. 

In fact, I put out a call a little while ago, to old friends and colleagues, to see if anyone had snaps of me from that era. Seems they’re quite rare! But one friend sent me a couple from only a few years later, and I chose one of those for the book. The photo my stepdaughter and I came across is very much better, and from the right time. 

If I hadn’t caused a delay to the printing by being belated in requesting proofs, and if Cecilia hadn’t come to help me with her father's papers this particular week, just before the proofs arrived, I’d never have found that photo in time to insert it into the book in place of the other.

Serendipity is still happening!

Note: Yes, printer’s proof copies usually come bound, but this printer’s binding machine was damaged in the last of the severe floods we've had here in recent years, so at present she sends the binding out to a colleague. It's not essential at this stage, and would be an extra cost and more delay.

All Quiet on the Memoir Front?

 

Yes and no. Certainly I have been quiet about it, here, for a little while!

Interrupted by life

My cover designer / book designer (same person) is currently on a road trip around Australia with her family – which is exciting, as we hope to meet up in person for the first time when they get to these parts, and for her to meet the cover artist too (who happens to be a neighbour of mine). 

This trip was already planned when she agreed to help me, so she is working around it. Before it began, she brought my memoir to a good place to be able to pause, and will be resuming when she arrives back home. We are still looking at a launch later this year.

Meanwhile, as you may recall, we have been making plans to launch, simultaneously, a new edition of Blood from Stone, the poetry anthology which resulted from the Pentridge Prison workshops in the eighties, which are the subject of the memoir. I’ve asked a noted criminologist with knowledge of that prison to write a new Foreword. He too is away travelling at present (overseas) but has expressed interest.

Exciting news

Most exciting of all, he tells me he knows of several of the contributors: that many are still alive ‘and some are quite established in their new lives’. What wonderful news! Although he has no contact details, I am hoping there may be some way he could help me locate them. I still need renewed copyright permission, if possible, from about half the poets in the collection. Apart from which, it would just be so good to know which ones are doing well. Although I only kept in touch with a couple (for reasons which the memoir explains) I regarded them as friends.

Revising the plans

I had thought of making the re-issue of Blood from Stone a facsimile edition, but the original is so old, as well as having been created before the digital era, that scans just didn’t work well enough. I ended up retyping the whole thing – but it was labour of love – and adding a new explanatory note about the way the poems are arranged.

As much as possible, though, it will resemble the appearance of the first edition, including that brilliant cover. 

Is two good company, but three a crowd?

I’ve also created a small spin-off chapbook of my own poems, written during the time of the workshops and since. My cover artist is currently working on an image for this book.

It is definitely connected to the other two books, but is much more personal, much less social history. And even though it’s short, I wonder if launching THREE books at the same time would be a bit much – even if I kept all prices low – and not necessarily for monetary reasons anyhow.

Would this slim volume be overshadowed by the others? Or might it deflect some of the attention they deserve?

Would I do better to release it a bit later? Or should it be tied to the others officially, as it is in fact? 

Perhaps they should come as a package, to be sold together? But no, that would limit potential customers' right of choice.

Decisions, decisions…. Your opinions and suggestions are welcome!

Photo, of one of the old Pentridge buildings, © David A Nissen 2022

'Blood from Stone' cover © Allan Williams 1982